천과 자수로 만든
애니피아의 동물들

Codex 기본 image_gen 도구로 생성. 첨부 사진을 스타일 참조로 사용했으며, 02번 시안은 귀 여백·깡통 트럼펫을 추가 보정함. 표현된 얼굴은 가상의 모델이며 실제 출연진 캐스팅을 확정하는 자료가 아님.

01_에다_의상변화
Use case: stylized-concept. Create an original professional theatrical costume concept board for the Korean family opera "Cat Maestro Eda", as realistic atelier studio costume photography, not cartoon characters. Landscape 3:2, very high detail. The attached image is a STYLE REFERENCE ONLY: handcrafted sculptural animal heads with woven mesh, visible stitched textiles, vintage whimsical tailoring, asymmetrical frock coats, jacquard, patchwork, embroidered motifs, articulated sleeves, muted dusty colors, handmade couture. Make original designs specific to the described characters, not copies of the reference cast or garments. These are ADULT HUMAN OPERA PERFORMERS modeling stage costumes, human body proportions, human hands and wearable fabrics.
IMPORTANT adaptation: animal headpieces are lightweight sculptural UPPER-FACE masks with open eye apertures and a compact animal brow/nose silhouette; the performer's human mouth, lower cheeks, chin and throat are clearly exposed, so the headpiece stops above the upper lip. No closed full-head mascot heads, no animal muzzle covering the singer's mouth. Read as wearable half-masks with expressive animal ears. Original mask mesh and hand-sewn craftsmanship are essential; avoid simple carnival eye masks.
Off-white seamless studio background and floor, soft realistic light, crisp full-body head-to-toe designs, generous margins, no cropped ears or feet, no overlaps, clearly separated figures. Restrained costume-designer presentation with tiny English labels under figures and a narrow row of fabric swatches below; no long paragraphs, no logos, no watermark. Rich believable linen, wool, worn velvet, muted brocade, hand embroidery; no plastic toy aesthetic, no generic steampunk gears, no military weapons, no scary taxidermy. Preserve each character's distinct stature, silhouette, animal species and palette.
BOARD 1: THREE FULL-BODY COSTUME LOOKS OF THE SAME EDA character, a lively curious androgynous young CAT hero played by the same petite adult Korean female soprano, playful boyish styling; same handcrafted golden-amber CAT half-mask, triangular ears, cream center forehead accent and rose inner ears, amber fabric tail with cream tip. Three fashion looks, not a narrative scene. Signature on ALL THREE looks: white rounded Peter Pan collar, dark brown braided bolo tie with a small brushed-gold round E medallion, warm amber identity.
LEFT "EDA / PROLOGUE": mischievous everyday cat, short amber velvet patchwork jacket with cream curved bib waistcoat, loosely fitted knee-length amber breeches, ivory socks, cream-and-rose brogue boots, a few tiny rust and muted teal repairs; light, informal, playful, no plush paws.
CENTER "EDA / STUDENT": main adventure look; loose cropped honey-ochre knitted pullover visible under a short asymmetrical oatmeal linen student jacket, white Peter Pan collar and E bolo, faded denim-blue high-waisted tapered trousers, cream/rose flat lace-up boots; open arms in a curious listening gesture, youthful energetic asymmetry, practical movement.
RIGHT "EDA / MAESTRO": the finale transformation only; elegant ivory linen-jacquard tailcoat with subtle gold braiding shaped like sound-wave curves, burgundy waistcoat, dark brown tapered trousers, ivory stage shoes, E medallion. Bare hands raised in a gentle conducting gesture; NO baton in this finale look, no white paw mittens. More confident posture, not a royal uniform. All three same face and mask identity; vary costume not identity. A small additional upper-face mask side-profile detail in a top corner only if enough space, showing the exposed human singing mouth.

02_한나_하칸_글레니
Use case: stylized-concept. Create an original professional theatrical costume concept board for the Korean family opera "Cat Maestro Eda", as realistic atelier studio costume photography, not cartoon characters. Landscape 3:2, very high detail. The attached image is a STYLE REFERENCE ONLY: handcrafted sculptural animal heads with woven mesh, visible stitched textiles, vintage whimsical tailoring, asymmetrical frock coats, jacquard, patchwork, embroidered motifs, articulated sleeves, muted dusty colors, handmade couture. Make original designs specific to the described characters, not copies of the reference cast or garments. These are ADULT HUMAN OPERA PERFORMERS modeling stage costumes, human body proportions, human hands and wearable fabrics.
IMPORTANT adaptation: animal headpieces are lightweight sculptural UPPER-FACE masks with open eye apertures and a compact animal brow/nose silhouette; the performer's human mouth, lower cheeks, chin and throat are clearly exposed, so the headpiece stops above the upper lip. No closed full-head mascot heads, no animal muzzle covering the singer's mouth. Read as wearable half-masks with expressive animal ears. Original mask mesh and hand-sewn craftsmanship are essential; avoid simple carnival eye masks.
Off-white seamless studio background and floor, soft realistic light, crisp full-body head-to-toe designs, generous margins, no cropped ears or feet, no overlaps, clearly separated figures. Restrained costume-designer presentation with tiny English labels under figures and a narrow row of fabric swatches below; no long paragraphs, no logos, no watermark. Rich believable linen, wool, worn velvet, muted brocade, hand embroidery; no plastic toy aesthetic, no generic steampunk gears, no military weapons, no scary taxidermy. Preserve each character's distinct stature, silhouette, animal species and palette.
BOARD 2: THREE DIFFERENT FULL-BODY OPERA CHARACTERS, labeled left to right "HANNA / OWL", "HAKAN / RABBIT", "GLENNY / BADGER".
LEFT HANNA: adult female singer, an intelligent young owl student and cellist with quiet courage, NOT an elderly witch. Chestnut/ivory owl upper-mask with recognizable owl facial discs and short feather tufts, human lower face open; round dark-red glasses integrated on the mask. Asymmetrical warm taupe long waistcoat dress over cream blouse and cropped dark chestnut trousers, layered scalloped linen-and-brocade shoulder cape suggesting owl wings, dusty sage lining, abstract fine feather-vein embroidery, practical oxford boots. Holds one simple cello bow and a slim musical-score book, upright poised stance.
CENTER HAKAN: slender adult male singer, white rabbit with boastful humor and hidden anxiety, energetic posture. Very tall narrow ivory rabbit ears built from translucent woven mesh over thin ribs; one ear tip bends and each inner ear shows an actual fine zipper with pull tab for a folding-ear gag. Ivory rabbit upper-face mask leaves human mouth exposed. Pistachio silk-linen double-breasted short waistcoat over ivory shirt, short asymmetrical sage jacket, olive knickerbockers, cream knee socks, muted red-green brogue shoes; rounded white cloth tail glimpsed. Holds a distinctive modest silver handmade tin-can trumpet, uneven but lovingly crafted, NOT a gun. Athletic bent-knee listening posture, not airborne.
RIGHT GLENNY: stocky adult male singer, eccentric sound collector, bold playful and tender. Sculptural black-and-ivory badger upper-mask with white center stripe and black side stripes, small rounded badger ears; human lower face uncovered; wired retro headphones clearly positioned around neck, not human extra ears. Brown canvas waistcoat and an asymmetrical knee-length work coat with many useful pouch pockets over a striped cream-charcoal shirt, roomy olive-gray trousers, worn brown lace-up boots. Small stones, twig ends in pockets, fine sound-wave stitchwork; holds one small handheld audio recorder/microphone on short wired cable. Slightly leaning forward with mischievous curiosity, no glass shards. The three must have sharply different silhouettes while sharing the reference's refined handcrafted look.

수정 프롬프트
Edit the attached costume design board only. Keep all three performers, faces, masks, clothing, lighting, text labels and fabric swatches unchanged. Correct the center rabbit Hakan: widen the image framing slightly / scale down the three figures together enough to leave a clear 50px minimum white margin ABOVE the tip of the tallest rabbit ear. Show BOTH rabbit ears completely, with same zipper detail and bent right ear. Keep the full shoes and existing lower label/swatches visible. Also replace ONLY the silver conventional trumpet in Hakan's hand with a recognizably handmade SILVER TIN-CAN TRUMPET: one visibly dented cylindrical tin-can bell with ribbed can edges and a rough short curved pipe, joints bound in copper wire and twine, 3 small acorn-cap buttons, modest stage prop held in the SAME hand position. It should look charmingly improvised, not a real factory trumpet or weapon. No changes to Hanna's bow/book or Glenny's headphones and recorder. Keep all masks open below upper lip, all names readable, same 3:2 board and costume fidelity.

03_클라이버_요한
Use case: stylized-concept. Create an original professional theatrical costume concept board for the Korean family opera "Cat Maestro Eda", as realistic atelier studio costume photography, not cartoon characters. Landscape 3:2, very high detail. The attached image is a STYLE REFERENCE ONLY: handcrafted sculptural animal heads with woven mesh, visible stitched textiles, vintage whimsical tailoring, asymmetrical frock coats, jacquard, patchwork, embroidered motifs, articulated sleeves, muted dusty colors, handmade couture. Make original designs specific to the described characters, not copies of the reference cast or garments. These are ADULT HUMAN OPERA PERFORMERS modeling stage costumes, human body proportions, human hands and wearable fabrics.
IMPORTANT adaptation: animal headpieces are lightweight sculptural UPPER-FACE masks with open eye apertures and a compact animal brow/nose silhouette; the performer's human mouth, lower cheeks, chin and throat are clearly exposed, so the headpiece stops above the upper lip. No closed full-head mascot heads, no animal muzzle covering the singer's mouth. Read as wearable half-masks with expressive animal ears. Original mask mesh and hand-sewn craftsmanship are essential; avoid simple carnival eye masks.
Off-white seamless studio background and floor, soft realistic light, crisp full-body head-to-toe designs, generous margins, no cropped ears or feet, no overlaps, clearly separated figures. Restrained costume-designer presentation with tiny English labels under figures and a narrow row of fabric swatches below; no long paragraphs, no logos, no watermark. Rich believable linen, wool, worn velvet, muted brocade, hand embroidery; no plastic toy aesthetic, no generic steampunk gears, no military weapons, no scary taxidermy. Preserve each character's distinct stature, silhouette, animal species and palette.
BOARD 3: THREE FULL-BODY FIGURES, left is KLEIBER, center and right are two costume looks of the SAME JOHAN. Labels "KLEIBER / BEAR", "JOHAN / EVERYDAY", "JOHAN / COMPETITION".
LEFT KLEIBER: imposing broad adult male baritone playing an authoritarian BEAR maestro who hides loneliness. Dark brown sculptural bear upper-face mask with round ears and compact nose leaves his human mouth and jaw open. Powerful long structured espresso-brown frock coat, subtle aged-gold piped seams and fine rigid vertical embroidery, deep burgundy lining, restrained wool-textile bear-fur collar (not a large fur cape), charcoal waistcoat, cream high-collar shirt without constricting throat, black trousers and sturdy black boots. Broad shoulders with no literal armor. Holds a slim conductor's baton in one natural human hand; other hand rests on chest. Coat slightly parted showing a softer worn inner waistcoat, suggesting vulnerable inner self; not a villain monster.
CENTER JOHAN everyday: young adult Korean male pianist, entirely HUMAN head, NO animal mask, no ears, no tail. Slightly disheveled dark hair, thin rounded brown glasses, gentle worried expression. Soft slate-blue shirt, faded charcoal tweed short jacket, warm oatmeal knitted waistcoat, beige trousers, worn brown lace-up shoes, simple worn leather score satchel. Same vintage tailoring and tactile textile world but modest realistic everyday costume.
RIGHT JOHAN competition/transformation: SAME young adult male pianist, elegant blue-charcoal tailored tailcoat with black satin lapel, cream waistcoat/shirt, black trousers and polished low shoes. Visible HUMAN face with only two small removable gray feline ears sitting in hair and a discreet fabric gray cat tail for the script's cat transformation; NO full animal head, no mask. An anxious posture softening into a small smile, hands in a pianist's relaxed resting position. No actual piano or background set. Fine key-width stitch pattern only on inner cuff, avoid giant printed piano keys.

04_카나리아_삼총사
Use case: stylized-concept. Create an original professional theatrical costume concept board for the Korean family opera "Cat Maestro Eda", as realistic atelier studio costume photography, not cartoon characters. Landscape 3:2, very high detail. The attached image is a STYLE REFERENCE ONLY: handcrafted sculptural animal heads with woven mesh, visible stitched textiles, vintage whimsical tailoring, asymmetrical frock coats, jacquard, patchwork, embroidered motifs, articulated sleeves, muted dusty colors, handmade couture. Make original designs specific to the described characters, not copies of the reference cast or garments. These are ADULT HUMAN OPERA PERFORMERS modeling stage costumes, human body proportions, human hands and wearable fabrics.
IMPORTANT adaptation: animal headpieces are lightweight sculptural UPPER-FACE masks with open eye apertures and a compact animal brow/nose silhouette; the performer's human mouth, lower cheeks, chin and throat are clearly exposed, so the headpiece stops above the upper lip. No closed full-head mascot heads, no animal muzzle covering the singer's mouth. Read as wearable half-masks with expressive animal ears. Original mask mesh and hand-sewn craftsmanship are essential; avoid simple carnival eye masks.
Off-white seamless studio background and floor, soft realistic light, crisp full-body head-to-toe designs, generous margins, no cropped ears or feet, no overlaps, clearly separated figures. Restrained costume-designer presentation with tiny English labels under figures and a narrow row of fabric swatches below; no long paragraphs, no logos, no watermark. Rich believable linen, wool, worn velvet, muted brocade, hand embroidery; no plastic toy aesthetic, no generic steampunk gears, no military weapons, no scary taxidermy. Preserve each character's distinct stature, silhouette, animal species and palette.
BOARD 4: THREE FULL-BODY ADULT FEMALE OPERA SINGERS AS A CANARY TRIO, sophisticated playful trickster chorus with an uncanny fortune-telling edge; NOT innocent identical princesses, NOT witches with pointy hats. All wear recognizable small CANARY upper-face headpieces with tiny short beaks ending well above human mouths; woven yellow mesh, embroidered feather contour, human jaw and throat clearly open. Related bird silhouettes, different costumes.
LEFT "KANA": pale lemon/ivory tailored short jacket over a crisp collared blouse, high-waisted pleated knee-length culotte skirt, pointed folded petal-like shoulder structures, small upright feather crest, confident inviting stance with one hand palm-up; silver-gray embroidery.
CENTER "NARI": rich dusty canary-yellow fitted long waistcoat with a rounded split peplum over ivory blouse, slim cream trousers, layered rounded scallop wing sleeves, circular plume crest; animated sideways glance and expressive open palm; muted sage floral-thread details.
RIGHT "RIA": aged warm gold/ochre asymmetrical long swallowtail jacket with wine-colored lining, straight ankle trousers, tapered feather embroidery and curved swept-back crest, witty knowing stance with one hand on hip; copper embroidery. All use vintage lace-up low ankle boots toned to their costume, bird tails expressed by jacket hems, no actual giant feather fans. Shared small glass-like brooch symbol at collar, subtle pale lavender accent linking trio. Keep handmade reference quality, not bright feather-boas or Las Vegas costumes. These differences are original costume proposals, not biography claims. No cauldrons, magic effects or extra people.

05_동물123_앙상블
Use case: stylized-concept. Create an original professional theatrical costume concept board for the Korean family opera "Cat Maestro Eda", as realistic atelier studio costume photography, not cartoon characters. Landscape 3:2, very high detail. The attached image is a STYLE REFERENCE ONLY: handcrafted sculptural animal heads with woven mesh, visible stitched textiles, vintage whimsical tailoring, asymmetrical frock coats, jacquard, patchwork, embroidered motifs, articulated sleeves, muted dusty colors, handmade couture. Make original designs specific to the described characters, not copies of the reference cast or garments. These are ADULT HUMAN OPERA PERFORMERS modeling stage costumes, human body proportions, human hands and wearable fabrics.
IMPORTANT adaptation: animal headpieces are lightweight sculptural UPPER-FACE masks with open eye apertures and a compact animal brow/nose silhouette; the performer's human mouth, lower cheeks, chin and throat are clearly exposed, so the headpiece stops above the upper lip. No closed full-head mascot heads, no animal muzzle covering the singer's mouth. Read as wearable half-masks with expressive animal ears. Original mask mesh and hand-sewn craftsmanship are essential; avoid simple carnival eye masks.
Off-white seamless studio background and floor, soft realistic light, crisp full-body head-to-toe designs, generous margins, no cropped ears or feet, no overlaps, clearly separated figures. Restrained costume-designer presentation with tiny English labels under figures and a narrow row of fabric swatches below; no long paragraphs, no logos, no watermark. Rich believable linen, wool, worn velvet, muted brocade, hand embroidery; no plastic toy aesthetic, no generic steampunk gears, no military weapons, no scary taxidermy. Preserve each character's distinct stature, silhouette, animal species and palette.
BOARD 5: THREE DIFFERENT FULL-BODY HUMAN ADULT OPERA ENSEMBLE PERFORMERS from the script, labeled "ANIMAL 1 / GOAT", "ANIMAL 2 / LION", "ANIMAL 3 / MOUSE". These are secondary roles, visually coherent but less ornamented than principals, reusable simple layered costumes.
LEFT GOAT: slim adult performer, warm ivory/goat-gray woven sculptural upper-mask with TWO modest backward-curving GOAT horns (not huge curling ram horns), long angular goat ears, human mouth free. Dusty blue-gray angular fitted waistcoat, oatmeal shirt, narrow ankle trousers, taupe flat boots, one modest elongated cloth beard attached to mask edge but not covering mouth. Holds simplified slender flute-like stage prop near waist. Conscientious upright but slightly anxious posture.
CENTER LION: broad adult performer, muted rust and ochre sculptural lion upper-mask with soft circular pleated-linen mane framing the upper head; no lion fangs, human mouth open. Rust-brown short jacket, cream shirt, honey-colored waistcoat, roomy ochre trousers, heavy brown low boots, lion tail with dark fabric tassel; strong assertive stance, hands free and expressive. Elegance rather than king costume, no crown.
RIGHT MOUSE: slight adult performer, gray and dusty lilac woven mouse upper-mask, TWO round gray mouse ears and short narrow gray nose above upper lip, human lower face exposed. Dove-gray short waistcoat with mauve lining, ivory shirt, gathered knickerbockers, gray knee socks, charcoal lace-up shoes, thin textile tail. Small rolled music score in hand and alert darting posture. Shared geometric stitch panels on waistcoats subtly connect to the opera's chorus costume concept. No full masks covering mouths, no background chorus or animals, only three performers.